Uèle Lamore: LOOM review
Uèle Lamore’s debut LP feels like a cluster of sketches, some filled in, others rendered more sparsely, and all rather different
Molly Nilsson: Extreme review
On her new full-length, Molly Nilsson embraces euphoria as she links her smoky-aired brand of production with brighter keyboards and faster, more propulsive percussion
JASSS: Words Collide
For boundary-rejecting producer JASSS, it’s the spaces between classification that hold the key to expression
Ricky Eat Acid’s Three Love Songs inhabits the liminal space between intimacy and detachment
Originally released in 2014, we take a look back at ‘Three Love Songs’ and how Ricky Eat Acid captured the minutiae of everyday life
Boy Harsher: Altered States
Massachusetts-based duo Boy Harsher built a fervent cult following with their gripping spin on darkwave. Now, they’re returning to the discipline that started it all: horror cinema
Arca: KICK ii, KicK iii, kick iiii, kiCK iiiii review
With this genre-defying anthology, Arca reaches into the mystical folklore of her Venezuelan heritage to design a non-binary future
Pink Siifu is one step ahead
Prolific and impossible to predict, Pink Siifu is reimagining the limits of rap. Try and keep up
Mitski: Stop the World
In 2019, Mitski announced a hiatus from music and disappeared from social media. Nearly two-and-a-half years later, she’s about to release her sixth album and take it on a global tour. So Mitski’s back? Kind of…