CRACK
Crack Mix
10.08.2023

Crack Mix 514:
CORIN

Soundtrack Experimental Ambient Synth Drone

CORIN, aka Corin Ileto, is the producer, composer and NTS regular behind last month’s Lux Aeterna LP for the Lee Gamble-helmed UIQ imprint. Her second album, the release was an exploration of the “idea of sound as a sentient being” and tapped into Ileto’s background in theatre and sound design.

For her Crack Mix, shared in anticipation of a live show at Czech gathering Lunchmeat – where her performance will feature visuals from video artist and longtime collaborator Tristan Jalleh – CORIN also forgoes a more loosely-tied curatorial approach for something altogether conceptual: a textured and foreboding mix of sci-fi soundtracks.

I’ve strung together a selection of soundtracks from science fiction films that have inspired my sound as a composer and producer, including my most recent release Lux Aeterna,” CORIN tells us over email.

She adds: “I was attempting to find a thread across recurring motifs that I hear across this collection of OSTs that are from both past and present. Ethereal alien textures, post-human voices, unnerving strings, mechanical percussion, celestial synths and outer-dimensional sound design. I’m inspired by how these elements contribute to the otherworldly realms of these films, creating a dynamic tension between sounds derived from nature, man and machine.”

CORIN plays Lunchmeat Festival, Prague, on 25-30 September




See Tracklist
Eduard Artemiev – Part III (Solaris)
Jed Kurzel – Spores (Alien: Covenant)
Hans Zimmer – Armada (Dune)
Mica Levi – Bothy (Under the Skin)
Jóhann Jóhannsson – Arrival (Arrival)
Jed Kurzel – The Med Bay (Alien: Covenant)
Ben Frost – Begin Simulation (Raised by Wolves)
Ben Salisbury and Geoff Barrow – The Alien (Annihilation)
Ludwig Göransson – Sator (Tenet)
György Ligeti – Lux Aeterna (2001: Space Odyssey)
Mica Levi – Lipstick to Void (Under the Skin)
Michael Abels – Not Good (Nope)
Ben Salisbury and Geoff Barrow – Lighthouse Chamber (Annihilation)
Mica Levi – Bedroom (Under the Skin)
Jóhann Jóhannsson – Properties of Explosive Materials (Arrival)
Ludwig Göransson – Retrieving the Case (Tenet)
Ludwig Göransson – Fast Cars (Tenet)
Ben Frost – Mother Fights (Raised by Wolves)
Ben Salisbury and Geoff Barrow – Hacking / Cutting (Ex Machina)
Hans Zimmer – Night on Arrakis (Dune)
Mica Levi – Mirror to Vortex (Under the Skin)
Eduard Artemiev – Part XI (Solaris)
Kenji Kawai – Dungeon (GITS 2: Innocence)
Ben Salisbury and Geoff Barrow – Ambulance Chase (Annihilation)
Chu Ishikawa – Tetsuo Dance (Tetsuo the Iron Man)
Howard Shore – Main Title (Scanners)
Chu Ishikawa – Dinosauroid (Tetsuo II Body Hammer)
Kenji Kawai – 2052 Hadaly (GITS 2: Innocence)
Kenji Kawai – 傀儡謡 怨恨みて散る (GITS 2: Innocence)
Ben Frost – Begin Simulation (Raised by Wolves)
Michael Nyman – The Departure (Gattaca)
Love is All a Matter of Timing – 2046
Ben Salisbury and Geoff Barrow – The Beach (Annihilation)
György Ligeti – Atmospheres (2001: Space Odyssey)
Jed Kurzel – Spores (Alien: Covenant)

Crack Mix 514: CORIN

Crack Mix 514: CORIN

CORIN, aka Corin Ileto, is the producer, composer and NTS regular behind last month’s Lux Aeterna LP for the Lee Gamble-helmed UIQ imprint. Her second album, the release was an exploration of the “idea of sound as a sentient being” and tapped into Ileto’s background in theatre and sound design.

For her Crack Mix, shared in anticipation of a live show at Czech gathering Lunchmeat – where her performance will feature visuals from video artist and longtime collaborator Tristan Jalleh – CORIN also forgoes a more loosely-tied curatorial approach for something altogether conceptual: a textured and foreboding mix of sci-fi soundtracks.

I’ve strung together a selection of soundtracks from science fiction films that have inspired my sound as a composer and producer, including my most recent release Lux Aeterna,” CORIN tells us over email.

She adds: “I was attempting to find a thread across recurring motifs that I hear across this collection of OSTs that are from both past and present. Ethereal alien textures, post-human voices, unnerving strings, mechanical percussion, celestial synths and outer-dimensional sound design. I’m inspired by how these elements contribute to the otherworldly realms of these films, creating a dynamic tension between sounds derived from nature, man and machine.”

CORIN plays Lunchmeat Festival, Prague, on 25-30 September



See Tracklist
Eduard Artemiev – Part III (Solaris)
Jed Kurzel – Spores (Alien: Covenant)
Hans Zimmer – Armada (Dune)
Mica Levi – Bothy (Under the Skin)
Jóhann Jóhannsson – Arrival (Arrival)
Jed Kurzel – The Med Bay (Alien: Covenant)
Ben Frost – Begin Simulation (Raised by Wolves)
Ben Salisbury and Geoff Barrow – The Alien (Annihilation)
Ludwig Göransson – Sator (Tenet)
György Ligeti – Lux Aeterna (2001: Space Odyssey)
Mica Levi – Lipstick to Void (Under the Skin)
Michael Abels – Not Good (Nope)
Ben Salisbury and Geoff Barrow – Lighthouse Chamber (Annihilation)
Mica Levi – Bedroom (Under the Skin)
Jóhann Jóhannsson – Properties of Explosive Materials (Arrival)
Ludwig Göransson – Retrieving the Case (Tenet)
Ludwig Göransson – Fast Cars (Tenet)
Ben Frost – Mother Fights (Raised by Wolves)
Ben Salisbury and Geoff Barrow – Hacking / Cutting (Ex Machina)
Hans Zimmer – Night on Arrakis (Dune)
Mica Levi – Mirror to Vortex (Under the Skin)
Eduard Artemiev – Part XI (Solaris)
Kenji Kawai – Dungeon (GITS 2: Innocence)
Ben Salisbury and Geoff Barrow – Ambulance Chase (Annihilation)
Chu Ishikawa – Tetsuo Dance (Tetsuo the Iron Man)
Howard Shore – Main Title (Scanners)
Chu Ishikawa – Dinosauroid (Tetsuo II Body Hammer)
Kenji Kawai – 2052 Hadaly (GITS 2: Innocence)
Kenji Kawai – 傀儡謡 怨恨みて散る (GITS 2: Innocence)
Ben Frost – Begin Simulation (Raised by Wolves)
Michael Nyman – The Departure (Gattaca)
Love is All a Matter of Timing – 2046
Ben Salisbury and Geoff Barrow – The Beach (Annihilation)
György Ligeti – Atmospheres (2001: Space Odyssey)
Jed Kurzel – Spores (Alien: Covenant)
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