The December issue is here. Featuring Nourished by Time, Richie Culver, Camille Jansen, and our top albums and tracks of 2024.
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Pissed Jeans’ Matt Korvette and no-wave hero Lydia Lunch train their gunsights on dead rockstars, fragile masculinity and the horror show that is US politics
Following the announcement that Bill Drummond and Jimmy Cauty are reviving their Justified Ancients of Mu Mu project, we trace the legacy of pop’s arch-provocateurs
Figures from the metal scene discuss the importance of Music For Nations’ iconic compilation series on the eve of it’s return after 25 years
Finnish doom, acid reflux and lightning speed thrash in a special bumper edition of our monthly metal roundup
As part of Teklife’s new school and a force pushing forward creativity in the genre, DJ Earl flies the flag for footwork with pride
“The coming of the lawless one is by the activity of Satan with all power…
Welcome to Crack’s monthly round-up of extreme music Make no mistake, the fringes of music…
Grindcore, black metal, death metal, power electronics – call it what you like – each month we round up the best extreme music we can find on the internet and feed it back to you
Increasing displays of police brutality, art spaces on the brink of extinction and the erosion of New York City’s creative essence fuel Show Me The Body’s undiluted hardcore. Tom Watson finds out how the band are rallying rebels
Tom Watson revisits the projects and releases of Björk formative years
Each month we plunge into the depths and return with a fistful of metal, grindcore, noise, thrash, punk and whatever else did damage to our ears
Where others fade into the the footnotes, house music pioneer Larry Heard remains enduringly influential. Here he unpacks his legacy with Tom Watson
In It For Life is Crack’s monthly round-up of extreme music
The Brooklyn songwriter tells Tom Watson how he’s unhinged himself from structure, allowing his drifting improvisation to inform his hypnotic folk
The esteemed saxophonist has become a central force in the LA jazz community. He tells Tom Watson about his three hour jazz epic and his musical symbiosis with the Black Lives Matter movement