Colleen “Cosmo” Murphy on live radio and its promise of connection
The DJ and broadcaster discusses her relationship with radio, a life-changing epiphany and the importance of musical connection in this month’s The Click
The Comet Is Coming: Hyper-Dimensional Expansion Beam review
‘Hyper-Dimensional Expansion Beam’, the new album from London-based experimental jazz trio The Comet Is Coming, acts as both a soundtrack and balm for the global chaos that we currently find ourselves in
Vieux Farka Touré and Khruangbin: Ali review
On ‘Ali’, Texan trio Khruangbin and Malian guitarist Vieux Farka Touré successfully build on a rich family legacy, bridging the gap between tradition and modernity
Rina Sawayama: Hold the Girl review
‘Hold the Girl’ is Rina Sawayama at her most electric on an album that’s otherwise difficult to warm to
Coby Sey: Passing Through
South London producer Coby Sey thrives in the liminal space where inner world meets concrete reality
Special Interest: Everything Everywhere All at Once
Uncompromising New Orleans punks Special Interest are laying waste to complacency. We meet them for Issue 135
Jockstrap: I Love You Jennifer B review
Jockstrap excel at being both relatable and innovative at once, creating a sound that is entirely theirs
George Riley: Running in Waves review
The London-based artist’s debut album is her official statement on claiming her own authority and setting her boundaries
Sudan Archives: Natural Brown Prom Queen review
‘Natural Brown Prom Queen’ is a celebration: of creative freedom, of Black and brown women, of Sudan Archives’ colourful inner world
Sarah Davachi: Two Sisters review
Sarah Davachi’s ‘Two Sisters’ is her most complete selection to date; an album that’s as labyrinthine and organic as a fingerprint, yet also immediately welcoming
Yeah Yeah Yeahs: Kill or Cure
In the aughts, Yeah Yeah Yeahs were the chaos agents who upended sterile rock conventions. Two decades on, the storied New York band are still raising hell – and hoping for a revolution