Live from Refraction Festival: object blue
object blue showcases her singular approach to live production for Refraction Festival 2020
Refraction Festival and Crack Magazine to host sets by Omar-S, object blue and more
We’re premiering a number of sets from the virtual event, on 22 and 28 July
The Best Mixes of 2019
From Ghost Phone to CCL, Autechre to Josey Rebelle, these are the 10 best mixes of 2019
The Class of 2019
We quiz eight artists on the highlights of their year. Featuring object blue, 100 gecs, Oli XL, Sherelle, Aitch and more
Romare, object blue, Paranoid London and more announced for Dusky’s XOYO residency
Dusky invite a packed line-up of guests to the XOYO basement for their January – March residency
object blue
London-based producer object blue straddles the line between function and experimentation in her Crack Mix
Listen to object blue’s new remix of Murlo’s Limbo
object blue takes apart ‘Limbo’ and puts it back together again with signature flair
Object Blue, TSVI and more complete Unsound Festival line-up
Unsound have also announced the full schedule for its daytime programme of discussions and workshops
object blue: A face in the crowd
We meet with hotly tipped DJ and producer to trace her rise – and why she’ll always be a music nerd first and foremost
Watch live performances from object blue, Iceboy Violet and more created for SIREN collective
The performances formed part of a video series created for Siren collective’s residency at Somerset House Studios
8 artists reflect on the enduring legacy of Aphex Twin
Nina Kraviz, Tommy Cash, Silent Servant, Object Blue and more recall when they first discovered the music of our November cover star
Errorsmith, Demdike Stare, Aïsha Devi and Object Blue to play Crack Magazine Stage at No Bounds 2018
We’ll be hosting our own stage at the Sheffield festival on 13 October
Lena Willikens, Batu and Object Blue to play Berlin Atonal 2018
The four-day event will take place at Kraftwerk on 22-26 August
Selections: object blue
“This playlist includes tracks that were physically influenced by its surrounding space during the recording”