Flow Festival through five key performances

Helsinki’s Flow Festival celebrated its 20th anniversary this August with PJ Harvey, Janelle Monáe, Vince Staples and more.

First held as a tiny club event in 2004, Flow has since grown into the sprawling concrete complex known as Suvilahti. And for the 20th time, they’ve staged a razor-sharp programme showcasing everything from charting stars to the best in alternative music today. 

Across three days, the festival welcomed a wave of artists ranging from the ever-flamboyant Pulp to Bristolian punks Idles, Drain Gang mainstay Ecco2k and Scottish-Danish composer and producer Clarissa Connelly, as well as a selection of electronic names including Helena Hauff and Crystallmess.

Amongst all the eclectic sets performed this year, here are the five key performances that defined this year’s edition. 

PJ Harvey

Draped in a striking linen cape, Harvey’s precise dancing enhanced the eerie folklore of her latest album I Inside the Old Year Dying, commanding incredible amounts of stage presence with very little movement. 

Deeper into the set, Harvey broke loose of her cape, lithely moving across the stage before tearing into classics like 50ft Queenie and Man-Size.

Janelle Monáe

By now, it’s pitch-black at midnight on the Friday: the perfect time for hedonism. Enter Janelle Monáe, and cue The Age of Pleasure. Shrugging off a heaving coat made of giant flowers to reveal a slinky black bodysuit, Monáe initiated her ceremony of indulgence in the cavernous Silver Tent. 

Coat after coat, Monáe cycled through incredible MJ-inspired choreography on Make Me Feel, and blew the roof off with her strutting performance of Champagne Shit. Every song was staged to the high heavens, and Monáe’s enthusiastic MCing rounded off a spectacular first night. 

Vince Staples

Long Beach’s finest returned to Helsinki with a selection of hits from recent records Ramona Park Broke My Heart (2022) and Dark Times (2024), locked in to deliver a confident, focused set. 

Staples also saw fit to correct the sins of Stefan, the fan he brought on stage to rap Big Fish (and fail miserably) at Lollapalooza this year. Helsinki offered up their own candidate, Alex, who proceeded to absolutely smash the entire song to the delight of the tent. 

One Leg One Eye

Over at The Other Sound stage on Saturday, Lankum’s Ian Lynch performed a brutal but purifying set as One Leg One Eye.

Playing a selection of ghoulish field recordings, uilleann pipe passages and his own haunting vocals, Lynch pushed the parameters of comfort before his set slowly evolved from a dark, dreaded abyss of ambient doom into a surprisingly melodic reflection on hope.

Alvvays 

The Canadian indie-pop band closed out the festival with a performance that oscillated between their dreamier shoegaze ballads and heavy-hitting rock cuts. Led by the piercing voice of frontwoman Molly Rankin, Alvvays and their unflinching sincerity soaked through the pitch-black tent that housed them and echoed across the industrial landscape of Suvilahti.