The October issue is here. Starring Joe James, Dan Hancox, Sarah Davachi, Chat Pile, Taqbir and more.
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The festival’s flagship event once again vindicated its position as a staple of the European festival season.
As users mourn the closure of MixesDB, questions arise about the precarity of digital cultural archives, and the hidden histories they contain.
This month, southern gothic darling Ethel Cain played two hauntingly beautiful shows at Camden’s Roundhouse.
Arriving as pop feminism reached fever pitch, ‘Ultraviolence’ held a mirror up to the quiet misery that underlies heterosexual love for so many women.
Reflecting on their ‘London Tide’ collaboration, Musical Director Ian Ross discusses PJ Harvey’s uncompromising musical vision.
Welcome back to Selections, a series of artist-curated playlists from those in the know.
HowTheLightGetsIn awoke the idyllic embankment of the River Wye with an invigorating week of reflection, debate, and dancing.
This is Cue Points, a series where DJs get granular with current tracks in their sets, giving us the low-down on what makes them work.
Ahead of their performances at the Monheim Triennale festival, we invited the two avant garde musicians to find common ground within their disparate practices.
Music has power. It makes us scream, laugh, and cry. In our new series, we invite artists to share the tracks that feel so gut-wrenching they reach for the skip button.
Having just thrown its final party in the Call Lane basement, the UK has lost one of its best and most historic nighttime venues.
On their eleventh anniversary, delve into how dance party and collective PLU became a haven for Queer identifying people in the South West.
After a founder of mutual aid platform Community Bread passed away last year, his mother found rolls of undeveloped film filled with pictures of the city’s queer community.
On the album’s 20th anniversary, writer and Locked On Records’ Creative Lead Bailey Slater spends a week delving into its intricacies whilst listening on repeat.
