Nascuy Linares on building the sparse, transportive score for Embrace of the Serpent
For Ciro Guerra’s ‘Embrace of the Serpent’, composer Nascuy Linares set aside the orchestral conventions that had defined his work in favour of minimalist textures, Indigenous field recordings, and the sounds of the Amazon rainforest itself.
Kangding Ray on scoring Sirāt and divining meaning in the rave
‘Sirāt’’s depiction of a free-party scene in North Africa might not provide many answers to the questions it raises, but its empathetic portrayal and spiritual insights – deepened by a propulsive techno score – open up new possibilities.