In Photos: Glasgow’s DIY club scene through the lens of local creative Jock Thomson

The photographer and DRIP co-founder documents the energy of his city’s queer scene with photographs that feel sweaty, immediate and alive.

The New Eves: “If people still think we’re whimsical, they won’t after this”

The Brighton band on their debut album, ‘The New Eve Is Rising’, being real, and being ready to get called weird.

In Photos: Inside London’s Paraíso School of Samba, shot by Mariana Pires

London-based photographer Mariana Pires documents a community keeping Brazil’s samba culture thriving through music, movement, and collective practice.

Jessie Reyez is learning to live in the moment

Jessie Reyez is unstoppable. She’s collaborated with Lil Yachty and Miguel, penned hits for Dua Lipa and, most recently, released her second book of poetry. Now, after years of laying the groundwork, the Canadian-Colombian is stepping into a radical, fearless confidence.

Decoding the legacy of electronic music visionary Daphne Oram

Frances Morgan of the Daphne Oram Trust reflects on the composer and musician’s radical vision and lasting influence.

How C Prinz choreographed Charli xcx’s “feverish, fearless” new era

The filmmaker and choreographer breaks down her collaboration with Charli xcx for her post-‘brat’ era.

Jerskin Fendrix on grief, memory and growing up in the sticks

Jerskin Fendrix emerged from south London’s idiosyncratic Windmill scene before being tapped by Yorgos Lanthimos to compose the scores for ‘Poor Things’ and ‘Bugonia’. His second album is a similarly strange and evocative meditation on memory and grief.

Joy, pain and resilience set the tone at Le Guess Who? 2025

Digging in to uphold true independent music values for communities and cultures from all over the world, Utrecht’s flagship alternative festival was a four-day beacon of innovative music and raw emotion.

For Marla Kether, the dancefloor is a space for community-building and collective joy

The bassist, producer, DJ and Kilengi Dance Party founder reflects on reconnecting with her Congolese heritage through music, learning through collaboration, and how shared intention can turn a crowd into a community.