The May issue is here. Featuring Fcukers, SALIMATA, and Crack Magazine's list of the greatest film scores of the 21st century.
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With their combative live performances, doom-laden rave rock and manifesto ripped from a cyberpunk novel, bed started out with one aim: to upend the music scene in their native Tokyo. Now, they are moving into phase two – taking their mission worldwide.
BRDCST Festival returned to Brussels with standout curated evenings from Ichiko Aoba, Keeley Forsyth and Stephen O’Malley.
Cameron Picton on starting his new project, My New Band Believe, and adapting its 20-plus-musician debut for the stage.
The high-energy show spanned old favourites and new, more experimental material. Outside, chaos over strict venue rules only added to the hype.
In Akinola Davies Jr’s BAFTA-winning ‘My Father’s Shadow’, Duval Timothy and CJ Mirra’s richly layered score fills the spaces between words unspoken.
Performances from felicita, Laurel Halo with Hanne Lippard, and Mark Fell with Mohammad Reza Mortazavi were highlights at Somerset House Studios’ bi-annual arts and music gathering.
Over half a million people gathered in central London on Saturday to unite in protest against the far-right.
Welcome back to Selections, a series of artist-curated playlists from those in the know.
Dr Lambros Fatsis, author of ‘Policing the Beats: Black Music, Racism and Criminal Injustice’, outlines how UK drill music is criminalised in courts and why the law needs changing.