The September issue is here. Featuring David Byrne, Skullcrusher, Upchuck, Joanne Robertson, Parade, and more.
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The festival will take place in Bern, Switzerland, from 20-23 November with Erika de Casier, John Glacier, Smerz, and more on the line-up.
Blackpool-born creator of uncanny sonic (and visual) worlds, Joanne Robertson, explains the influence of Germany’s multidisciplinary abstract artist Jutta Koether.
Mucho Flow will return to various venues across the Portuguese city of Guimarães from 30 October – 1 November.
Welcome back to Selections, a series of artist-curated playlists from those in the know.
The festival will take place in Utrecht from 6–9 November with Smerz, Devendra Banhart, Ata Kak and more on the line-up.
To celebrate the release of the new compilation ‘Telepathic Fish: Trawling the Early 90s Ambient Underground’, Mario Aguera traces how Telepathic Fish became a psychedelic counterpoint to the full-on bludgeon of rave.
Mixer and producer Amy Sergeant reflects on the Mix With The Masters seminar that deepened her confidence, instincts and skills.
The Warehouse Project adds three new shows to this year’s programme, including the return of Nia Archives’ club series Up Ya Archives.
The festival returns to Wales Millennium Centre from 6-12 October as part of Cardiff Music City Festival.
In her new book, ‘Shouting Out Loud: Lives of The Raincoats’, author Audrey Golden traces how the band inspired generations of music and movements, from Sonic Youth to riot grrrl to queercore.
Addison Rae, Turnstile, 070 Shake and more will play the Australian festival in December.
The portable 8-track instrument features intuitive chord creation and sound design tools.
Scottish smallpiper Brìghde Chaimbeul reflects on the influence that Canadian-Scottish musician Martyn Bennett had on her mesmerising sound.
The campaign reimagines city life as a stage for music, movement and design.
Loraine James, Space Afrika, Richie Culver, Gaika and more pencilled in for three-day pioneering art…
The scholarship offers female and non-binary applicants up to 50 percent off the cost of the organisation’s on-site seminars and masterclasses.
‘Local’ is a brand-new zine championing the often-overlooked venues, communities and artists that keep grassroots UK music culture alive.
After the recent acquisition of Ortigia Sound, the reimagined festival arrives this month with artists including Modeselektor and Max Cooper on the programme.
Liverpool-based DJ, producer and Club Bad head honcho Melé delivers over an hour of dynamic percussive sounds for his Crack Mix, moving through hypnotic tribal house, afro house, techno and more.
TraTraTrax co-founder Verraco on the seismic influence of the Massive Attack co-founder.
The micro-festival returns to Hackney on Saturday, 27 September, with live performances across three venues.
Al Wootton brings his signature blend of experimental dub and percussive rhythms to this spacious, slow-burning mix built for the early hours.
Batu, Lord Spikeheart, Objekt and more join the line-up for WOS Festival, which will take place from 11-14 September in Santiago de Compostela.
‘Free Party: A Folk History’ director Aaron Trinder walks us through the guiding principles and lasting legacies of an often-overlooked chapter of British counterculture.
The full line-up has now been announced for The Maccabees-headlined All Points East day on 24 August, including Nilüfer Yanya, CMAT and Black Country, New Road.
Driven by a belief in the importance of community, club culture and shared experiences, Jägermeister’s Venture Capital Investment Unit is supporting the future-facing tech startups reshaping our social interactions.
From powerful political protests to secret sets from Pulp and Lorde, via Doechii’s expectation-busting Glastonbury debut, here are the moments that made this year’s festival one to remember.
A spokesperson for the Metropolitan Police has confirmed that “no further action” will be taken on the matter.
Taking place across the Barbican Centre until 31 August, ‘Feel the Sound’ challenges us to listen not just with our ears, but with our whole bodies.
